Book cover for Viola Wahlstedt’s Travel Alone Eva, published by Holt, Rinehart and Winston (1966).
This 2-color woodcut of Walter Ferro’s daughter Paula as a child was printed in his artist feature by William Caxton Jr. for American Artist in 1962. A pdf of Walter Ferro’s full artist feature in American Artist is available here.
Pinocchio, published by Pilot Library, for which Walter Ferro illustrated several books, including Man and Power, How Old is It?, and Wildlife Around Us.
This woodcut was part of works in Ferro’s application for the Guggenheim Fellowship, which he received in 1972.
For more information about the work included in the Guggenheim application, as well as those works completed during the fellowship, please visit the ABOUT section.
This collage was part of works completed in conjunction with Ferro’s Guggenheim Fellowship in 1972.
For more information about the work included in the Guggenheim application, as well as those works completed during the fellowship, please visit the ABOUT section.
This collage was part of works completed in conjunction with Ferro’s Guggenheim Fellowship in 1972.
For more information about the work included in the Guggenheim application, as well as those works completed during the fellowship, please visit the ABOUT section.
A watercolor of an abstracted array of blocks of color by Walter Ferro in 1973.
Woodcut design by Walter Ferro for the book, Don Camillo and His Flock, published by All Saints Press.
This woodcut was made in preparation for the application of Walter Ferro’s Guggenheim Fellowship, which he completed in 1972.
This woodcut was included in Ferro’s application for the Guggenheim Fellowship, which he received and completed in 1972.
For more information about the work included in the Guggenheim application, as well as those works completed during the fellowship, please visit the ABOUT section.
This watercolor was included in Ferro’s application for the Guggenheim Fellowship, which he received and completed in 1972.
For more information about the work included in the Guggenheim application, as well as those works completed during the fellowship, please visit the ABOUT section.
A watercolor of an abstracted interior space with a stand-up clock holding the number 5, and a vase, by Walter Ferro in 1971.
This watercolor was included in Ferro’s application for the Guggenheim Fellowship, which he received and completed in 1972.
For more information about the work included in the Guggenheim application, as well as those works completed during the fellowship, please visit the ABOUT section.
This collage was part of works completed in conjunction with Ferro’s Guggenheim Fellowship in 1972.
In his notes, Ferro said, ” 69 consisted of fragments of baskets-the large shapes were developed first-was tempted to leave it-but wanted a literal injection-I worked on it not to violate the nice strong colors…idea came from an article on St Nicholas relique to the Pope by Greek Orthodox Church in NY.”
For more information about the work included in the Guggenheim application, as well as those works completed during the fellowship, please visit the ABOUT section.
